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W., what inspired you to tell disparate stories with this particular character as a sort of unreliable narrator? MAXWELL PRINCE: The stories came first, and the Ice Cream Man kind of ambled his way in after.

I knew I wanted to tell a bunch of different little ditties, all sad, about different people, with different laws of reality governing the narratives.

As for creating the characters in each issue, I have much more freedom! The rest have maybe just one detail and then we start working on some sketches to define everyone's look.

You dash for your spare change and run out the door to catch it, right?This happens with every comic I try to make: the book slowly and shamelessly starts to ape The Sandman, insofar as you’ve got these complicated stories about real people, with this magical-ish figure circling them and exerting an unknown amount of influence.MATTER: I’ve seen this book described as “genre-defying” which is intriguing.How is it genre-defying, and can you hint at what readers can expect?PRINCE: I think the issues answer the question: Chapter One is this sort of existential horror thing with a handful of creepy-crawlies; Chapter Two is a pretty straightforward tragedy about two opioid addicts; Chapter Three is about a washed up rock singer (à la Bill Haley) finding a fantastical world in his basement, wherein he has to write the perfect song to save all of humanity.

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I can say, and you mentioned the primary colors of the musical notes in a previous question, that that got my mind rolling and gave me a sense of the look the book should and could have.